The performance of Bob Dylan's "All Along the Watchtower" is from the band's impromptu "Save the Yuppies" concert in San Francisco, California on November 11, 1987. Most of the live footage is black-and-white indoor concert footage from the band's Denver, Colorado show on November 8th, 1987 or outdoor concert footage from the band's Tempe, Arizona show on December 20, 1987. King on guitar and vocals.Īll of the studio tracks except "Heartland" were recorded at Sun Studio in Memphis, Tennessee, where Elvis Presley, Roy Orbison, and others also recorded. "When Love Comes To Town" is a blues rocker featuring B.B. "Love Rescue Me" (featuring co-author Bob Dylan on vocals) and the live performance of "I Still Haven't Found What I'm Looking For" (recorded with a church choir) are gospel songs. The punchy lead single, "Desire," for instance, sports a Bo Diddley beat. The songs are also musically in line with the predecessors they honor. The bass-heavy "God Part II" is a sequel of sorts to John Lennon's " God," his stark denunciation of everything from Elvis Presley to Jesus Christ. "Angel of Harlem" is a vivacious, horn-filled tribute to Billie Holiday. Aside from the covers, a couple of songs were written for other artists. It also has a live version of Bob Dylan's " All Along the Watchtower," which can be seen as a dual tribute to Dylan and to Jimi Hendrix, who popularized the song with his own blistering rendition. The album opens with a live cover of " Helter Skelter" (which Bono infamously introduces as "a song Charles Manson stole from The Beatles.we're stealing it back"). Most of the tracks on the album pay homage in some way to the rootsy influences the band discovered while recording 1987's The Joshua Tree. However, instead, the band took a drastic change in direction with 1991's Achtung Baby. Still, it has sold nearly ten million copies worldwide and earned the band its first number one single in the UK, "Desire."ĭue to the poor reception of Rattle and Hum, the band announced at one of their last tour dates in the eighties that they needed to go away for a while to "dream it all up again." Many fans feared the band was going to split up, which it nearly did. Because of its chaotic presentation and its unfortunate placement between the much more groundbreaking The Joshua Tree and Achtung Baby, it is one of the more overlooked albums in their catalogue. ![]() It was produced by Jimmy Iovine and also released in 1988 (see 1988 in music). The album is a hodgepodge of live material and new studio recordings that further the band's experimentation with American music styles and recognize many of their musical influences. ![]() Nevertheless, fans regard it as a solid concert film that finds the jovial band members somewhat overwhelmed by the sudden success The Joshua Tree brought them. It is criticized for being overwrought and pretentious and for attempting to elevate the band into the rock pantheon by paying tribute to (and playing with) their musical heroes. It incorporates live footage with studio outtakes and band interviews. It was produced by Michael Hamlyn and directed by Phil Joanou. The movie is a rockumentary, released in theaters in 1988 and on video in 1989. ![]() Rattle and Hum refers to both a motion picture about the band U2 and its companion album, documenting the band's 1987 tour of the United States and its exploration into American music.
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